Movie Review: Terminator 2

‘Terminator 2: Judgement Day’ is the 1991 sequel to the Terminator sci-fi series.

Although somewhat dated these days, ‘T2’ was highly awarded for it’s breakthroughs in CGI and human motion capture, and was actually the first film to have a partially-CGI lead character.

 

In T2, Arnie’s less-advanced Terminator has been replaced by the liquid metal, shape-shifting T1000 (Robert Patrick). Back when originally watching this in 1991, this relentless, indestructible cyborg was easily the most scariest bad guy I’d ever seen.

 

Set in Los Angeles 11 years after the original, John Connor (an annoying, overly enthusiastic Edward Furlong) is now a pre-teen living with his foster parents who’s grown up with his Mum’s ‘crazy stories’ of Skynet and Judgement Day.

 

John Connor was Furlong’s breakout role and won him a Saturn and MTV-movie award for his performance. (His script was a little too colloquial for my tastes)

 

But even more interesting than that is that between ‘T1’ and ‘T2’, Sarah Connor’s knowledge of the near-future has turned her into a wiry, violent guerrilla (in an energetic performance by Linda Hamilton).

 

Gone are the curves and the easy-going days of youth, and in it’s place is an anxious, crazy vigilante trying to save the world from a fate it doesn’t even believe is coming.

 

And lastly I would be remiss if I didn’t mention that Arnie returns in this film for a second time as a Terminator, although this time he is serves in a more tender, protective capacity for John (I preferred him in this capacity). Interesting to note that ‘T2’ has been the highest grossing film of Arnie’s career to date.

 

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Arnie with Canadian stuntman, Peter Kent, who served as Arnie’s Terminator double in in T1 and T2.

 

Overall, this is a satisfying sequel to the original and well worth a watch.

Not yet available on Netflix, but here’s the official trailer for you to check out:

 

Philosophy Friday: Being adaptable

Being adaptable is exactly not my forte, but it’s a lot easier when I stay focused on the ‘What’, and give the ‘How’ some breathing room.

 

Midweek Music Moment: Bowie & Pink Floyd

Bowie and Pink Floyd on the same stage took the musical cake (or lamington for the Aussies!) for me this week.

Today’s Midweek Music Moment is their lush rendition of ‘Comfortably Numb’ from this 2006 live performance at London’s Royal Albert Hall.

 

 

And if you’re anything like me with Pink Floyd musical reference points that are mostly 20+ years old, here’s a wonderfully atmospheric track called ‘Louder than words’ from their 2014 fifteenth studio album ‘Endless River’.

Completed from previously unreleased sessions with founding member Rick Wright (who passed away in 2008), ‘Endless River’ is Pink Floyd’s final album and credits Rick Wright with co/writing at least 12 of the songs.

 

 

Movie Review: Monster

‘Monster’ is a 2003 crime-drama based on American serial killer Aileen Wuornos.

It’s one of those movies that I’ve had ‘Net-listed’ for a long time – but could never quite bring myself to watch because of the gritty subject matter.

Wuornos was a Daytona Beach prostitute with a horrendous upbringing who basically cracks and starts killing the guys who pick her up.

And to tell you the truth, after such a relentless and hard life, I really didn’t blame her.

 

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Aileen Wuornos was executed for her crimes in 2002 after spending over a decade on death row.

 

In a spectacular performance, Charlize Theron is totally deserving of the Oscar she won for her performance as Wuornos.

Gone are her typical starlet good looks and in their place is a woman in such anger and self loathing that it’s painful to watch for much of the film.

 

Theron gained 40 pounds for the role, had prosthetic teeth, shaved off her eyebrows and underwent a serious makeup transformation.

 

In some ways ‘Monster’ is a love story centred around Wuornos and her girlfriend, Selby Wall (played with innocence and yet total self-centredness by Christina Ricci).

Yet it’s worth noting that for legal reasons, the character of Selby Wall is a completely fictionalised girlfriend, and nothing like Wuornos’ real-life lover, Tyria Moore.

 

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Unlike in the movie, Tyria Moore was actually older, bigger (and probably wiser) than Wuornos.

 

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The movie shows a new relationship between the two women, but in reality, Wuornos and Moore were together for 3 years already before the killings began, and a total of four years together.

 

Overall, this is an incredible movie but be warned that it’s also heart-breaking and relentless. (I fast forwarded through a couple of the more violent scenes)

Available on Netflix and check out the official trailer here:

 

Philosophy Friday: Rewards

Are you a carrot or a stick person?

Here’s where I stand on it!

 

Midweek Music Moment: Constant Craving

When ‘Constant Craving’ came on the radio this week, I couldn’t help cranking it up and belting it out!

The first release off her second album ‘Ingenue’, ‘Constant Craving’ was a huge hit in 1992 and signalled a meteoric rise to fame.

Not only did it win the Grammy that year for Best Female Pop Vocal Performance, but the album itself went double platinum both in Canada and the US.

 

 

I’ll admit that in the early 90s I wasn’t particularly interested in k.d.lang’s music – until I casually stopped by her concert one day while I was working at the Sydney Opera House.

It was the best live performance I’ve ever seen and I have been a fan ever since.

 

With 4 Grammy awards to her name, Canadian k.d.lang is not only famed for her powerful vocals and charismatic stage presence, but also for her political activism.

 

I would be remiss if I didn’t include k.d.lang’s soaring cover of Leonard Cohen’s ‘Hallelujah’ at his Canadian Songwriters Hall of Fame induction in 2006.

Those in the audience later remarked that it was as if the entire room took one deep breath together after the song was complete because they were holding their breath in awe as she performed.

 

 

Although k.d.lang’s early material will always hold a special place with me, her newer music is a little more refined, but just as lush.

A great example of her later more developed sound is ‘I Confess’ from her 2011 album, ‘Sing it Loud’.

 

 

And for a little humour, here’s a clever and funny k.d.lang interview with Aussie personality, Dame Edna.

 

Movie Review: Terminator

‘Terminator’ is the 1984 science-fiction classic that solidified Arnie’s Hollywood career and launched the Terminator franchise.

 

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The most serious of the ‘Terminator’ series, Schwarzenegger is a ruthless machine – referred to as a cyborg but actually an android (I would suggest) – with the a relentless focus on killing Sarah Connor.

 

The first major film from Canadian Director, James Cameron (‘Aliens’, ‘Rambo’, ‘Titanic’, ‘Avatar’), this movie launched his career and catapulted him into major success.

 

After being unable to drum up enough interest to sell his ‘Terminator’ screenplay, Cameron ended up directing the movie himself.

 

Although centred around a dystopian future where robots rule the world, ‘Terminator’ does have an underlying 80’s-sap-so-bad-it’s-good love story between Linda Hamilton (Sarah Connor) and Michael Biehn (Kyle Reese).

 

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Just the 1984 fashion alone is worth it: tie die shirts, high waisted pants, leg warmers, big hair, walkmans, high-top sneakers, answering machines…

 

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Lance Henriksen was originally considered for the role of the Terminator – because of his ability to ‘blend in with a crowd’. But he ended up being given a smaller LAPD detective role in favour or Arnie’s bodybuilding physique.

 

The first of a five-film franchise, ‘Terminator’ is the one that started it all – and still holds it’s own against the CGI-dominant films of today.

Unfortunately Netflix only currently carries the last two in the series (‘Salvation’ and ‘Genisys’), but they are available to rent on iTunes and various other streaming websites.

Check out the official trailer here:

 

Philosophy Friday: Being Normal (Somewhat)

Sometimes just knowing that it’s normal is all I need to know to remind me that I’m just a regular old part of the human race!

 

Midweek Music Moment: Sleeve

Bobby Uzoma is an indie Calgary-based artist at the very start of his career with a lush R&B voice.

 

I heard Bobby Uzoma on a local radio station recently and took an instant shine to his sweet, smooth voice paired with low key beats.

 

Today’s Midweek Music Moment is his debut 2015 single ‘Sleeve’ about wearing his heart on his sleeve. There’s no video to speak of, so sit back, relax and enjoy this slow burner.

 

 

And for his first offering of 2016, ‘Holy Grails’ has been receiving great reviews. I look forward to more from this talented young artist!

 

Movie Review: Roman Holiday

‘Roman Holiday’ is a timeless 1953 romantic comedy with a big heart, some sweet laughs and a great script.

Featuring Audrey Hepburn and Gregory Peck, this was Hepburn’s stunning screen debut that skyrocketed her to fame.

 

Hepburn’s performance was so captivating that halfway through filming, Peck famously pushed for her name to be above the title of the movie – alongside his own – because she was going to win an Oscar for her performance. He was right.

 

Director, William Wyler (‘The Best Years of our Lives’, ‘Ben-Hur’, ‘Funny Girl’) had originally planned for a large scale Hollywood production with an all-star cast, shot on Hollywood backlots.

 

Jean Simmons was Wyler’s top choice for the role but was unavailable due to scheduling. A very young Elizabeth Taylor was also considered for the role.

 

But after being given a much smaller budget than expected, Wyler cast a then-unknown Hepburn, moved filming to Italy and shot the entire film in black & white. (And thank goodness he did!)

 

Vespa sales went through the roof after the classic scene of Peck riding around the streets of Rome with his ‘sweetie’ on the back.

 

Hepburn gives an exuberant performance as a Princess cut loose for the day – the camera loves her – and Peck steps back and simply lets her shine.

 

I highly recommend ‘Roman Holiday’ as a wonderfully romantic movie that features two highly charismatic performers in one of the most beautiful cities in the world.

Available on Netflix (finally!) and here’s the official trailer: